This essay breaks the law

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But the heart of Bonham’s distinctive drumming has to do with the unusual dynamic he had with Jimmy Page. Normally, a drummer will lock in with the bass player, providing a solid foundation for the guitars and vocals to stand on. But “the essence… of the whole Zeppelin thing,” says engineer Ron Nevison, “was John Bonham following the guitar. He would take the riff and he would make that his drum part.” We hear several driving examples of this, most notably “Immigrant Song,” above, where Page and Bonham follow each other, while John Paul Jones thunders below them. The result, and one crucial reason Bonham’s hands almost never stop flying around the kit, is that, like Page, he’s playing both rhythm and lead parts, sometimes both at once.

This essay breaks the law

this essay breaks the law

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